BecauseIcouldnotstopforDeath,hekindlystoppedforme;thecarriageheldbutjustourselvesandimmortality”–EmilyDickinsoaaa
　　IfDeathtookaholiday,thegunswouldgosilentinIraq,theslaughteronournation’shighwayswouldcease,andthenewsmediawouldbecompelledtocoverpositiveeventsinthehumanities,arts,andsciences.Unfortunately,Deathhasnothadavacationinrecordedhistory,butMitchellLeisen’s1934fantasy,DeathTakesaHoliday,allowsustoconsiderthepossibility.Co-writtenbyMaxwellAndersonandGladysLehmanandbasedontheplay"LaMorteinVacanza"byAlbertoCasella,DeathTakesaHolidaystarsFredericMarchastheGrimReaperwhotakesonhumanforminanattempttodiscoverwhymenfearhimsomuch.Whyhehaswaited5,000yearstosatisfythiscuriosityisnotexplained.
　　[Spoiler]Afterabrieftryoutasashadowyfigurewhoscaresthedaylightsoutofthosethatcrosshispath,Deathshowsupat,ofallplaces,anupscalepartyatanItalianvilla,posingasthemysteriousPrinceSirki.Onlyonepersonknowswhohereallyis,thehostDukeLambert(GuyStanding),andheissworntosecrecy.Sirkiproceedstofascinatetheguests.Giventoburstsofwitandpoetry,hecanjustasquicklyturnsullenandthreatening,andsomesoonfindoutthatitisbetternottolooktoodeeplyintohiseyes.DuringthethreedaysinwhichthePrinceisatthevilla,however,peopleallovertheworldmiraculouslyescapedeathandpotentialsuicidesaredoomedtofrustration.
　　Toseewhat’sbehindalltheconversationaboutlove,thesuavebutnaïvePrinceSirkifallsfortheirresistibleGrazia(EvelynVenable),thedaughterofoneofDuke’sfriends.GraziaknowswhoDeathisbutdoesnotfearhim,muchtothechagrinofherfiancé,Corrado(KentTaylor)whohasdevelopedastrongdisdainforPrinceCharming.
　　MoresinisterthanBradPittinthe1998remakeMeetJoeBlack,Marchturnsinaveryconvincingperformanceasthecreepyyetstrangelyappealingguest.Althoughtheendingismelodramatic,theemotionsareveryrealandthesuggestionthatDeathmayinrealitybeafrienddisguisedasafoeisquitetouching.
　　(HowardSchumann,talkingpix.co.uk)
　　Inthiswearisomeandpredictableplotline,Deathfallsinloveandboresustodeathtalkingaboutit.
　　(DennisSchwartz,homepages.sover.net)
　　I'veheardDRACULAwasadvertisedwiththetagline"TheWeirdestLoveStoryevertold!"(thisisprobablyaparaphrase),butatheart,I'veneverfeltthatyoucouldhonestlycallthatmoviealovestory.Thetaglinewouldbemuchmoreappropriateforthisone,sinceitultimatelyboilsdowntowhatamountstoalovestory.Thismovieisverygoodindeed,particularlyifyouconsiderthatitisbuiltaroundaconceptthatcouldhaveeasilybeenhandledinacuteorfacilemanner.Instead,itishandledasseriouslyaspossible,withsomerealthoughtputintohowdeathwouldtrytocometotermswithalifeandanoutlookthatwastothatpointtotallyunfamiliartohim;muchofthecreditdoesgotoFredricMarchinthetitlerole.It'squitescarywhenitneedstobe,particularlyduringthefirsttwentyminutes.Fromthenon,itdealswithitsthemeswithsubtlety,aquietwit,anenduringsadness,andaneverpresenttensiononhowDeathmightreactifcrossed.It'snotperfect;someofthedialogueisself-consciousandartificial,asifthewritersknewtheyweredealingwithweightyissuesandweretryingtobeprofound.ButIamcertainlygladtheydidn'ttrytoturnitintoamusicalcomedyofsorts.
　　(DaveSindelar,scifilm.org)
　　Seealsotheremake:DeathTakesAHoliday(1971)